Gibson Les Paul Standard 1959 Historic Reissue 2008 Gibson ES335 Studio 1986 Peavey EVH Wolfgang 1997 Guitar Workshop Oslo Tele ca 1985 2008 Charvel Pro Mod San Dimas Style 1 2H Fender Eric Johnson 2006 Japanese 1988 Fender Stratocaster Norwegian Skau from 1959 Norwegian 60' Skau Line 6 Variax Acoustic 700 Taylor 610e Ariana Spanish Ukulele Violin Kontrabass Czech Accordian Fender Deluxe VM Laney LC30 ii 112 Roland Cube 40 GX Peavey Classic Chorus Line 6 POD X3 Live
Gibson
Custom Shop,2008
USA
Les Paul Standard 1959 Historic Reissue. Only modification: Removed Scratch-plate after beeing signed by Scott Gorham.
Gibson
ES335 Studio
1986
USA
Ebony fretboard, no f-holes, 17 degrees headstock. Originally 57' classic humbuckers pictured, has now been replaced by Chrome Burstbuckers from a R8 to better match my Les Paul R9.
Peavey
EVH Wolfgang
1997
USA
2 org. humbuckers, drop-D Floyd Rose, Locking nut, Shaller tuners, oiled maple neck. Only modification: Reversed the pick-up selector to match standard Gibson-style.
Guitar Workshop
Custom Telecaster
1985
Norway
Based on ESP parts, 2 double Lace sensor pickups, Wilkinson by Gotoh VSVG Vintage Tremolo, Shaller locking tuners, birdseye maple neck.
Pre-owned by Jon Eberson and used on the 1986 recording Stash. I was the second owner from 1988-1990, sold it to Anders Hommerstad 1990-1996, then Ralp Loftstad used it from 1996-2012, and I finally bought it back in 2012.
The guitar had original one Seymour Duncan Alnico Pro in Bridge and a Jazz in Neck. The Neck pick-up was broken when I bought it back - but has now been repaired at Seymour Duncan in Santa Barbara by MJ.
Charvel
San Dimas
2008
USA
Full Name: Production Model San Dimas Style 1 2H, Quartersawn oiled maple 12"-16" compound radius neck, Alder Body, Seymour Duncan JB (TB4B) + 59'(SH1N), Floyd Rose FRT O2000 double-locking tremolo.
Fender
Eric Jonhnson
2006
USA
Artist Series Stratocaster based on a 54/57 mix. Modified with Wilkinson by Gotoh VSVG Vintage Tremolo, also removed one Tone-control for better tremolo handeling and made the tone a master-tone control.
Fender
Stratocaster
1988
Japan
Contemporary MIJ Stratocaster Type 27-4302, 2 original single coils, modified with a Seymour Duncan JB TB in the bridge, Kahler Spyder Floyd Rose lic, Locking nut, Gotoh tuners, Maple fretboard. Added a pearl-scratch-plate instead of the original plain white plastic and replaced the white plastic on the single coils with black.
Skau
Concert-guitar
1959
Norway
My father's old guitar with a Gibson Jazz pickup on a self-design pick-guard, top made of spruce/fir, sides of mahogny, rosewood fretboard
Skau
Concert-guitar
1961
Norway
Bought from a School Jumble Sale for about $15 - birch/plywood top, sides of mahogny, some kind of hard fretboard
Variax Acoustic 700
Line 6
2007
Korea
Amazing thing - it's names Acoustic but its really an electric thing that sounds like a amplified acoustic. With the turn of a switch, you can change the sound between these models
  • 1941 Martin 5-17
  • 1946 Martin 000-28
  • 1960 Martin D-21
  • 1954 Gibson J45
  • 1951 Gibson SJ-200
  • 1933 Selmer Maccaferri
  • 1951 D'Angelico New Yorker
  • 1958 Manuel Velazquez
  • 1973 Guild F412
  • 1935 Stella Auditorium
  • 1939 National Reso-Phonic "O"
  • 1937 Dobro« Model 27
  • Gibson« Mastertone
  • Mandola
  • Japanese Shamisen
  • Indian Sitar
  • Taylor 610e
    Dreadnought
    2015
    USA
    First Edition Taylor 610e, Maple sides and back
    Ariana
    Spanish Nylon
    198?
    Japan
    Saved from a Dump Site, Spruce top, sides of mahogny
    Ukulele
    Ukulele
    1999
    China
    Great fun!
    Violin
    Stradivarius-model
    1936
    Norway
    From my Father/Grandfather, "Arbeidet av G.G.Str÷mmen, Kraaen i Numedal" Felemakeren Gjermund G. Str°mmen
    Double Bass
    1970's
    Czech
    Souvernier from Karlovy Vary
    Delicia
    Accordian
    Czech

    I just had to have this, can get some real cool FrenchType Accordian Tones out of this one ...
    Fender Deluxe VM
    Virtual Modified
    Mexico

    A modern PCB assembled Tube amp, (not point-to-point), but still 2 pcs 12AX7 and a pair of 6L6, delivering loudly 40 Watts into a Celestion G12 Neo Creamback Speaker (modified from stock speaker Celestion 12" GT 80). Built-in digital effects: Delay, Chorus, Tremolo and Reverb. 2 Channels; Fender Clean and a good range of Dirt in the Lead channel. The Volume-pot has been replaced; now it dials better on low volumes. I have also added tilt-back legs.
    Laney
    LC30 ii 112
    UK

    Made in 2007, Class A, 4x EL84, 4x 12AX7, 2 Channels, Celestion G12 Neo Creamback, Spring Reverb. A hidden tone-monster treasure from UK. Modified the effects loop to be serial instead of paralell. Stock speaker Celestion 12" Seventy-80 replaced with G12 Neo Creamback
    Why pay 10 times more for a US boutique amp that simulates an english classic rock sound, when you can get it all in this cabinet?
    Roland Cube 40 GX
    Compact amp
    China

    Small practice amp
    This does the works as a practice amp and may also be used on a gig. I do not have a foot controller - but it's able to switch between 3 presets.
    Peavey 212 Amp
    Classic Stereo Chorus
    USA

    This was previously my main amp, mostly used as a backline power amp fed with signal from the Line 6 floor pod.
    Line 6 X3 Live
    Pod on the floor
    China

    Used as Pre Amp and Multi Effects. A true Tone-machine which will sound the same, independed of whereas you plug it direct or in a guitar amp, if you switch it on early in the morning or after using it for hours. Connects with the Variax guitar, ordinary guitar, computer and any output. On stage there is no spaghetti cables on the floor, stable, reliable - Perfect!

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